Towards the end of the performance, Lizzo’s flute – adorned with a Sennheiser SK 6212 wireless mini-bodypack transmitter and an ME 104 lavalier microphone – was lowered by a trapeze as she careened into a breath-taking instrumental solo. Singing through a Sennheiser SKM 6000 handheld transmitter coupled with an MD 9235 capsule, the 8-time GRAMMY nominee – who also won the evening’s first GRAMMY Award with “Best Pop Solo Performance” – showcased her amazing talent, versatility and charisma, supported by an orchestral ensemble and several ballerinas. Lizzo quickly set the tone for the show, opening the GRAMMY Awards by offering a heartfelt remembrance of Kobe Bryant and delivering a riveting medley of “Cuz I Love You” and “Truth Hurts”.
Lizzo delivers a grand opening with Sennheiser I am leaving a much greener footprint during these shows and I feel more comfortable using these over disposable batteries.” With the 6000, there is none of that: you just recharge them and just reuse them. Also, the fact that the Digital 6000 transmitters use rechargeable batteries is a key factor for me, since I am tired of dumping hundreds of batteries in the trash.
Even if you don’t have a scope, you can just look at the quality meter on the front of the unit and tell whether or not you are taking on interference or not.
Wireless microphone signal path tv#
“The amount of frequencies I can get in one TV channel is the part that really helps me out in today’s environment. “The Digital 6000 is impressive,” he states. Stephen Vaughn, Coordinator for Soundtronics Wireless, ensures that all the wireless microphones and in-ear monitors work in harmony with each other for the duration of the program. Stephen Vaughn, Coordinator for Soundtronics Wireless, ensured that all the wireless microphones and in-ear monitors worked in harmony for the duration of the GRAMMY Awards “Monitoring, control, and flexibility are the features that help us the most, and we benefit considerably by the Digital 6000’s resistance to interference, in addition to its efficient use of bandwidth.” “This allows us to deploy multiple transmitters and receivers with reliable performance.” “The RF on this show is complex to say the least,” adds Peterson. “We appreciate the frequency agility of the Digital 6000 in such an RF-intense environment,” he says. “The mixers have commented on how they are able to do less EQ carving in the low-mid frequencies, and the extended high frequency response we are getting with the wireless mics is introducing low pass filtering – which we have not had to do in the past.” Michael Abbott, GRAMMY Awards audio coordinatorĪbbott, who has been using Sennheiser systems on the GRAMMY Awards for more than 30 years, specified the Digital 6000 system for all the production and MC microphones at this year’s show. According to GRAMMY Awards audio coordinator Michael Abbott, by combining a high-quality digital wireless microphone system and a Dante network as a transport protocol, the show has achieved a vastly improved frequency response. “This is the first time the GRAMMY Awards has been able to deliver the vocal wireless mics on a completely digital path all the way to every mixing console,” observed Jeff Peterson, PA Designer of ATK Audiotek. After receiving the microphone signal, each receiver channel of the Sennheiser Digital 6000 wireless was then relayed across a dual redundant Dante network which carried multiple streams of identical multi-channel audio all the way to various digital mixing consoles located throughout the venue. In light of an ever-congested RF environment and an unrelenting demand for wireless frequencies, this year’s technical deployment was nothing short of a milestone accomplishment. The evening’s highlights included captivating performances by Lizzo, Brandi Carlile, Blake Shelton and others as more than 20 channels of Sennheiser Digital 6000 RF were deployed in both production and MC capacities at the Staples Center in Los Angeles. Broadcast live on January 26th, the 62nd Annual GRAMMY® Awards saw an industry first as Sennheiser’s Digital 6000 wireless microphone system helped deliver a completely digital signal path for wireless vocal mics for the first time in the award show’s illustrious history.
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